Selected Presentations (Daniel Shanahan)

 

J. Albrecht and D.Shanahan, "The song remains the same?: The effect of oral transmission on folk melodies", Meeting of the Society for Music Perception and Cognition (SMPC), Nashville, TN (August, 1-5, 2015)

L. Getz and D. Shanahan, "Is the cross-modal correspondence between pitch and size categorical or continuous?", Meeting of the Society for Music Perception and Cognition (SMPC), Nashville, TN (August, 1-5, 2015)

D. Huron and D. Shanahan, "Pulmonary influences on melodic organization: Musical tests of Gussenhoven's 'production code'", Meeting of the Society for Music Perception and Cognition (SMPC), Nashville, TN (August, 1-5, 2015)

J. Devaney, D. Shanahan, and K. Nisula, "Evaluating Rule- and Exemplar-Based Computational Approaches for Modeling Harmonic Function", Cognitively Based Music Informatics Research (CogMIR), Toronto, Canada, (October 4, 2014)

D. Shanahan and J. Albrecht,  "Validating Web-Based MIDI Content for Digital Libraries",  Southeast Music Library Association, Baton Rouge, Louisiana (October 2–4, 2014)

D. Shanahan and E. Shanahan, "The Densmore Collection of Native American Songs: A New Corpus for Studies of Effects of Geography, Language and Social Function on Folksong", 13th International Conference for Music Perception and Cognition/5th Conference for the Asia-Pacific Society for Cognitive Sciences of Music, Seoul, South Korea (August 4–8, 2014)

D. Shanahan, D.Huron, M. Schutz, E. Margulis, and R. Ashley, "What Empirical Musicology offers Emotion Studies", 13th International Conference for Music Perception and Cognition/5th Conference for the Asia-Pacific Society for Cognitive Sciences of Music, Seoul, South Korea (August 4–8, 2014)

D. Shanahan and E. Shanahan, "Revisiting the Densmore Collection: Completing a Collection of Native American Transcriptions", Music Encoding Conference, Charlottesville, Virginia (May 20–23, 2014)

D. Shanahan and E. Allen, ‘Using Big Data to Examine the Effect of Environment on Listening Habits’ Society for Ethnomusicology 58th Annual Meeting, Indianapolis, Indiana (November 14–17, 2013)

D. Shanahan, ‘A New Key-Finding Algorithm based on Euclidean Distance’, Presentation for the Music Cognition Interest Group at the Society for Music Theory Annual Meeting, Charlotte North Carolina (October 31–November 2, 2013)

D. Shanahan, ‘Learning by Example: Computationally Modeling the Labeling of Tonic, Pre-dominant, and Dominant Functions in the Phrase Model Defined in Pedagogical Texts’, Presentation for the Music Informatics Interest Group at the Society for Music Theory Annual Meeting, Charlotte North Carolina (October 31–November 2, 2013) 

D. Shanahan, ‘Methodological Issues in Sound-Size Symbolism Research’, Presentation for the Kubovy Perception Lab, University of Virginia Department of Psychology (October 9, 2013) [Invited]

D. Shanahan and J. Albrecht, ‘The Acquisition and Validation of Large Web-Based Corpora’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8– 11, 2013)

J. Albrecht and D. Shanahan, ‘Name that tonic: A new key-finding algorithm using Euclidean distance’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8–11, 2013)

K. Nisula and  D. Shanahan, ‘The Role of Sound-Size Symbolism in Tone Perception’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8–11, 2013)

D. Shanahan and E. Allen, ‘A Tale of Forty Cities: The Effect of Population Density on Preferred Tempo’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8–11, 2013)

D. Shanahan and K. Nisula, ‘The Effect of Visual Stimuli on the Perception of Emotion in Speech and Music’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8–11, 2013)

K.Nisula, D. Huron, and  D. Shanahan, ‘Confusing Sadness and Relaxed Musical Expressions: Animal Signaling versus Speech Prosody Interpretations’, 3rd International Conference on Music Emotion, Jyväskylä, Finland ( June 11-15, 2013)

D. Shanahan and K.Nisula, ‘The Size of Emotion: The Role of Visual Stimuli on the Perception of Affect in the Human Voice’, 3rd International Conference on Music Emotion, Jyväskylä, Finland (June 11-15, 2013)

D. Shanahan and E. Allen, ‘Examining the Effect of Environment on Tempo Preference’ Conference of the Midwestern Society of Ethnomusicology, University of Cincinnati (April 12–13th, 2013)

D. Shanahan and E. Allen, ‘Using APIs to Determine the Effect of Environment on Listening Habits,’ 2013 Joint Annual Meeting of the British Forum for Ethnomusicology and ICTM-Ireland, Queens University, Belfast (April 4–7th, 2013)

D. Shanahan, A. Carter-Cohn, M. Stankova, ‘Prosody in Music: From the Avant-Garde to Afro-Pop,’ Society of Composers National Conference, February 13–16, 2013 [Roundtable Discussion]

D. Shanahan and Y. Broze, ‘A Diachronic Analysis of Harmonic Schemata in Jazz,’ International Conference of Music Perception and Cognition, Thessaloniki, Greece (July 23-28, 2012)

D. Shanahan, ‘Prosodic Stress, Interval Size and Phrase Position: A Cross-Cultural Contrast’, Meeting of the Northeast Music Cognition Group, Yale University (April 28th, 2012)

D. Shanahan,‘The Evolution of In Medias Res in Jazz Standards,’ 23rd Annual Conference for Music Theory Midwest, University of Michigan (May 18-19, 2012) 

D. Shanahan, ‘A Database of the Harmonic Progressions of Jazz Standards,’ Graduate Colloquium, Bienen School of Music, Northwestern University (March 6th, 2012) [Invited]

D. Shanahan, ‘An Analysis of Attraction and Tension in Two Debussy Preludes’ Arts and Technology Research Laboratory Lecture Series, University of Dublin, Trinity College, February, 2011

D. Shanahan, ‘Probability and Debussy’s Preludes: The Nature of Expectancy in Bruyeres’ VIII Gesellschaft für Musiktheorie, University of Music and Dramatic Arts, Graz, Austria. (October, 2008)

D. Shanahan, ‘Melodic Probability in Debussy’s String Quartet: The Use of Hidden Markov Models in Music Analysis,’ Cardiff University Music Analysis Conference, Cardiff, Wales. (September, 2008)

D. Shanahan, ‘Debussy’s Monochromatic Landscape: Melodic Process and Fluctuations in Form in Pour Les Huit Doigts’ Royal Musical Association Annual Conference, University of Aberdeen, Scotland. (July, 2008)

D. Shanahan, ‘Melodic Expectation and Static Temporality: An Investigation into the Implicative Consequences of Inert Structures in Music,’ Gesellschäft für Musik and Asthetik/Sixth European Music Analysis Conference, University of Freiburg, Germany. (October, 2007)

D. Shanahan, ‘Deconstructive Elements in Debussy’s Compositional Style, Fifth Annual Conference of the Society for Musicology in Ireland, Dublin Institute of Technology, Dublin, Ireland. (May, 2007)

D. Shanahan, ‘Structuralist Approaches to Debussy’s Music’ Fourth Annual Conference of the Society for Musicology in Ireland, University of Limerick, Ireland. (May, 2006)

D. Shanahan, ‘Debussy’s Préludes: An Analytical Dilemma’ Royal Musical Association’s Research Students Conference, University of Leeds, UK. (January, 2006)  

Poster Presentations

D. Shanahan and E. Bell, "Examining Stylistic Change through 17th and 18th Century Incipits",  Conference for the American Musicological Society and the Society For Music Theory,  Milwaukee, Wisconsin (November 6–9, 2014)

D. Shanahan and E. Bell, "Re-Examining National Influences and Stylistic Shifts with the RISM Dataset", Music Encoding Conference, Charlottesville, Virginia (May 20–23, 2014)

K. Nisula and D. Shanahan, ‘The Role of Sound-Size Symbolism in Tone Perception’, Conference for the Society for Music Perception and Cognition, Toronto, Canada (August 8–11, 2013)

D. Shanahan and D.Huron, ‘Interval Size and Phrase Position: A Cross-Cultural Comparison,’ International Conference of Music Perception and Cognition, Thessaloniki, Greece (July 23-28, 2012)

K. Horn and D. Shanahan, ‘The Effect of Singing on Textual Memory,’ International Conference of Music Perception and Cognition, Thessaloniki, Greece (July 23-28, 2012)